![]() Even threats that belong well to the realm of reality and as commonplace as ageing-related deaths and estrangement do not present themselves that obviously in everyday living. Such contrasts that highlight the ethereal qualities of love are, however, not as visible in ordinary domestic life. Almost always, a seemingly insurmountable obstacle is placed in the lead couple’s path to everlasting happiness: a terminal illness, deeply-entrenched social class divisions, nefarious villains and, most recently, a physiologically compelled escape to outer space. Relatively few lines, on paper or on screen, are spent on couples in stable relationships. Love is all the more precious to us when we are profoundly reminded of its finite duration.Įlusive love, in fact, characterizes much of romance literature and dramas alike. However, it is precisely this contrast between eternal separation and the saccharinity of love that enhances the aura of romanticism surrounding the literary masterpiece. Just as nighttime lies perilously near the close of the day, the prospect of death looms over love in the poem. More classical piano works can be browsed and collected here.) (Credit for the first stanza belongs to an unidentified translator, while the second to fourth stanzas have been reproduced from The Ivory Classics Foundation‘s booklet with the very kind permission of its director, Mr. Hush now! - he rests, he is part of the past. When you will stand by the grave and weep!īe sure that your heart with ardour glows, This sentiment is more apparent in the full poem, which reads: Yet a subtle thread of melancholy runs through the piano solo. Finally, the atmosphere relaxes, the winds calm down, and the work ends in sweet harmony. Set to the music is German writer Ferdinand Freiligrath’s poem “O lieb, so lang du lieben kannst! (O love, so long as you can!),” which, as its title suggests, extols the virtue of carpe diem (Latin for “seize the day”) in love. A couple of times, the melody is interrupted by cadenzas that give glimpses of stars twinkling in the night sky and on the lake surface, so mesmerizing yet so far away, before gales stir up the water. ![]() The climax builds up, the key unexpectedly switches to a glorious B major, octave jumps come forth. The tune then takes on a more serious tone, the evening scene imbued with colors of the finest hues. 3! The piece starts with the soft and soothing A-flat major, a cool evening breeze gently blowing across a lake. How fitting it was that Nae-il, the ebullient heroine of Cantabile Tomorrow, was introduced to the melody of Hungarian composer Franz Liszt’s Liebesträume No.
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